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  1. 5 points
    Alright. Finally done. Again, my apologies for the delay to the few people who might have been waiting for this. Hopefully it's enjoyable. Anyways, I'm tired so I'm going bed now. I'll be back tomorrow afternoon to clarify a few things. Hope everyone is well. Edit- Okay, so- a few clarifications and explanations for anyone who might wonder: -As I note in the introduction, most of this interview is focused on Ian's time with MGB, hence why I shared it in the MGB section on the Bored here again. -We had some technical problems connecting on FB Messenger originally so before the recording starts we were actually talking on the phone a little. Part of our discussion touched on Edward Snowden and cell phones which is why I was laughing a little at the start of the interview. Ian had mentioned he's not a fan of using FB Messenger in general for private conversations which is why we had trouble connecting at first. I thought we were going to have to try and connect on Google Hangouts again, but he simply realized he had to enable the microphone and camera on FB Messenger and that's the point where the interview starts recording. -From about 1:10:00 to 1:21:30 the video becomes rather choppy. I believe this is simply a flaw that occurs in the conversion upload process to Youtube because that was not in the original version we recorded. It passes after about 11 minutes. -Big shout out to Chad for letting me use picture content from his website that I spliced into the interview. I also used a little bit of video content (without audio) from his Youtube channel. -Like the last one I think the vast majority of this interview stays on a positive path of reflection and I was glad for that. The last thing I would ever want to do as someone who is grateful for the music that Matt- and everyone he has ever worked with- has helped create, is facilitate and produce something that causes any more unneeded tension between people. It's been a crappy enough year for most people (especially Matt based on his Instagram posts) and I wouldn't release this if I thought it would cause him or anyone else to feel angry or bad in general. Again, I think the vast majority of this interview is positive. And yet, as is the case when people talk for hours on end about a large time period of their life, not "everything" is reflected on in a way that is 100 percent positive, and I think that is definitely understandable. After all, very few people are lucky enough to be able to look back on their lives and be happy or content with "everything" that happened. With regards to the very small amount of content in this interview that wasn't 100 percent positive, the question I had as the producer and editor of this was whether I had the right to edit someone else's freedom of expression in the name of preventing any possible extra tension in the future. Now, in the previous interview all three of us agreed there were a couple small parts that were best edited out. Given what happened literally a week later we definitely made the right choice. In this interview, upon review, there was nothing Ian flagged that he felt needed to be edited out. However, there is a small section in here where Dave's influence on the music is discussed. Most of it is positive, but there is a little that is not completely positive and I'll admit I was uneasy about leaving it in because I am never comfortable discussing someone else when that specific person is not around to offer their own perspective on everything as well. However, everything that was discussed has, for the most part, already been discussed publicly by both Matt and Dave, so that played a part in why I chose not to edit it out. Likewise, that's why I included a small section of Dave's talk at 1:35:00 that he gave at the Nimbus School of Music back in 2016 where he discussed his time with the band a bit. As I said when I originally shared the full link to the talk on the Bored here over 3 years ago, I thought he came across as very humble, mature, introspective, and even somewhat regretful. Lastly, in the end I ended up leaving in the full section about Dave because to have edited it out would have meant editing out Ian clarifying that he didn't feel it was really accurate for himself to have been lumped in with Dave as having been around simply because he was supposedly only interested in money at that time period. Indeed, Ian took the time to do this with me and since he has never really spoken publicly about that time period I felt it would have been rather unfair to cut that section out. Ultimately I was glad that specific part of the interview is immediately followed by an interesting discussion about Dave's positive influence on the albums too. Anyways, while it might seem strange to some people, that is also why I'm posting the entire interview that he (Dave) did as well back in 2016- because if someone is going to be discussed I think it's only fair to share their perspective too: -All that considered, I know in the past that Matt has commented how he is not crazy about the fact that people sometimes focus on the past at the expense of the present, and that is completely understandable too. As such, I hope that me posting all of this here doesn't bother him because I honestly believe the majority of us here are able to appreciate both the past and the present at the same time (in most cases). Aside from the fact that Ian is just a really interesting and easy guy to talk to, the fact that we've never really heard much from him about his time with the band was also another reason why I felt this was worth doing and sharing. Anyways, as usual if anyone has any questions feel free to share them and I'll do my best to answer them. Cheers.
  2. 3 points
    For Matt's health I am very okay with this move. Yes I was looking forward to it, but it was not looking to be safe the way things are going.
  3. 3 points
    “Even if that comment was admittedly a little ironic for a guy who seems to get his news almost exclusively from an outlet as far left as The Gaurdian.” I wrote for the Guardian and they syndicated my blog for years. George Monboint writes for them as well, and man would I love anyone here to get into an argument about climate change with him - the noted “lefty that he obviously is.” The Guardian broke Snowden - and if you’re of the opinion that the information he leaked was not absolutely quintessential with regards to public knowledge of highly illegal actions - you’re either a fool or too dim witted to understand it. But I have subscriptions to The Atlantic and other “intelligent” conservative publications as well. My comment on political polarization was dead on. And it’s something I believe in strongly. I am neither a proponent of the left or right. I believe reason is quintessential to properly tune out the nonsense of polarization. Right and wrong exist in this world. What does it matter who reports it if it objectively calls wrongdoing out? To say I get my information wholly from the Guardian - as an example of a singular accusation- is to say that I support its position on what took place in Charlottesville. And I absolutely do. An innocent woman was killed and the night before, in a nation that helped defeat National Socialism, people were marching torches in hand, as if at Nuremberg, chanting “Jews will not replace us.” So what wholly “objective” source out there had a better take on those events? Only those that pander to those that support hate - and that is not journalism. I don’t agree with all of the paper’s content, there’s been many occasions that I’ve disagreed with OpEds. But, given these ridiculous times, one does not think before using a single publication to paint a entirely one sided picture. And isn’t that just the height of intellect.
  4. 3 points
    bit.ly/MGSessionsLive I got a ticket quick this time. Different site but guessing can still sell out again. Only $15 and there's an email address to submit song requests. Should be fun.
  5. 3 points
    Tested Negative!!! But damn was that uncomfortable.
  6. 3 points
    Sorry to hear some of you were having issues with Sessions - sound was crystal clear for me throughout. The set: 1. Sort of a Protest Song 2. Empty Road 3. Born Losers 4. Hello Time Bomb 5. Beauty 6. Radicals 7. Load Me Up 8. Advertising on Police Cars 9. Selling You My Heart 10. Fated 11. Strange Days 12. Parts 13. Apparitions I reckon if the bottle of bourbon was left in the garage with Matt so he could refill his glass, he'd still be playing! He seemed to be having a good time and sounded great.
  7. 3 points
    Thanks, William. Glad u enjoyed it Anyways, I tried uploading the new one 3 different times today straight from VideoPad and had no luck, unfortunately. Gonna try a few different things tomorrow. In the meantime- just as a teaser for anyone waiting- I figured I’d share 2 things. The first is the intro I created for the actual interview. I uploaded it to my personal channel last week after finishing it so I could review it myself. As will be noticed by some, the intro is of course composed of clips from a lot of different sources. I don’t know if it’s necessary but regardless most of the substantial clips will be linked and credited in the final and full video that is eventually published. They include Chad’s clip of AOE playing live, the article I quote discussing the importance of drummers, Andy Herrin’s interview with Ian from earlier this year, and the full video of the clip I use at the end of this introduction (on top of the EITS and BW video referenced too). The second is just a 6 minute clip of Ian discussing Apparitions and what the song writing process was like in MGB. And of course, the actual, full finished product though will be on the same channel I published the first interview on (Reveries) and not this channel I’m sharing here. It’ll clock in at around the 2 hour and 10 minute mark.
  8. 2 points
    I used to do transfers through a fire wire but would frequently have issues like Steve is having. As Daniel said it can be fixed after the fact without too much trouble by just adjusting the audio track, usually if you can sync it up in one place it will sync up everywhere, of course if there are multiple glitches that kind of process quickly becomes a nightmare. I always found feeding and capturing directly on a computer to introduce too many issues in the chain, so I went with a more old school setup. I actually run a VHS player through a dvd recorder and just record the feed directly onto a DVD. I then rip the DVD to the computer. It adds an extra step but I've never had sync issues doing it that way and I've been pretty happy with that setup.
  9. 2 points
    Matt was kind enough to respond very diplomatically and "Socrates" like to a message I sent him last night in private discussing this topic some more. As as I said yesterday- and I'll say again- I think we all really appreciate getting to hear his thought process on such topics (regardless of whether there is always full agreement or not). So again, thanks for sharing your thoughts, Matt (both in public and private) Keep your chin up, man. While all of us should always be conscious of any possible bias we might have, if someone (regardless of who they are) is resorting to ad hominem attacks without evidence or coherence based on emotion, that says far more about them than it does about you (regardless of how many of them there are). And indeed, ad hominem attacks by themselves are the last resort of someone who has no legitimate arguments in their tool box. The topic of the police in Western societies is an interesting one. Even though Trevor Noah seems to have gone off the deep end this year along with a large pool of other once logical and rational people, he wasn't wrong back in 2015 when he initially said "If you're pro-black lives matter, you're assumed to be anti-police, and if you're pro police, then surely you hate black people....when in reality you can be both pro-cop and pro-black which is what we should all be." That is to get at the point that one can absolutely be against police brutality/making sure people of color don't suffer racist tragedies, while at the same time acknowledging and supporting the fact that there are also countless numbers of good police officers who risk their lives everyday who should not be maligned or stereotyped in with those who abuse their power. Likewise- with regards to polarization- even though all of this is probably going to get worse before it gets better given the presidential election coming up, all things do pass and so will this eventually.
  10. 2 points
    Wish he could sell copies of the streams afterwards.
  11. 2 points
    I was happy to hear you bring up the point of polarization Matt, and thanks Foats for offering your perspective as an American member here. I have always found it odd that people are staunchly in one corner or another. People in general are all over the place with their emotions, their ideals, their dreams...it seems utterly counter intuitive to be cornered into one side of the room or another given the dynamic nature of the human psyche. I have family and friends in the States and I'm always shocked at how many of them are completely unable to do anything but blindly support one side or another. They ask me regularly what party I Identify with and I find that such a strange notion, because I don't unilaterally agree with any one party on all issues. This notion that I've always voted ________ or my daddy voted _____ and his daddy voted ______ so I vote ________ is completely ridiculous to me. What never ceases to amaze me is when I point out the fallacy of such a thing many of them are quite surprised. An example I always use is Abraham Lincoln as a progressive human rights activist Lincoln would today most likely be a member of the Democratic party, but he was a Republican, and the Democrats openly opposed his efforts to eliminate slavery. So lets say you were a Democrat today and had always been a democrat and so had your family...then your family at one point in time would have been opposed to the abolition of slavery. The same party that put the first black president in office was once completely against black people really having any social rights of any kind. What I find so interesting about this polarization is how people, without even knowing much about an issue will become aggressive defenders of it because it's their parties angle. I've seen people screaming in the streets on certain issues, and a quick conversation reveals they actually have almost zero first hand knowledge of the issue at hand, yet they are almost territorially defending it and lashing out against those who don't. That's a pretty scary reality. I recently watched The Social Dilemma, a documentary about the effects of social media on society and particularly young people. Two things really stood out to me. 1) the horrifying rise in suicide rates among extremely young preteen girls coinciding with the popularity of social media and 2) the polarization of political leanings coinciding with the same time frames. The documentary makes a case that these learning algorithms slant search results so that you find more of the kind of things you've searched for in the past, meaning you are always going to find articles and people agreeing with your previous viewpoints which helps fuel the fire of polarization because it may legitimately seem like there is no opposing view points even being put forward, and that those that are are filtered through a network of people with similar opinions as you and are trashed as such. That kind of situation simply does not allow for people to be objective whatsoever and would absolutely result in the polarity we are seeing today.
  12. 2 points
    As someone in America right now I will tell you the saddest thing is there is no more area of gray. Gray is gone. It's either you're left or you're right. Guys like me who are in the middle or dare I say Independent are screwed. To prove my point I liked a post supporting police officers (a life long friend is a State Sheriff, my cousin a State Trooper) I had 3 people of color all message me telling me I am racist. If I say something supporting the left I get the same backlash. The one thing I know about politics now is if I open my mouth I am going to offend 50% of the people who read my post and that to me is infuriatingly sad. No more Gray areas.
  13. 2 points
    Hi everyone, glad most of the people who watched this enjoyed it. Definitely happy I could share something that was of interest to people here. With regards to the confusion on the release of Apparitions, it happens. It was so long ago I don't blame Ian for having a slightly mixed up memory about it, especially when their lives were so busy. But yeah, upon rewatching it the Much Music clips I spliced into the interview when we were discussing it even lists that it was the third single. With regards to Ian, Dave, Geoff, and Rich- and how all of them contributed to the band in their own ways that some people miss- I definitely don't disagree that I miss their contributions too and wish the three surviving members could find a way to work through their issues (if for no other reason than peace of mind for themselves because they all do truly seem like honestly good human beings). After all, baggage is called baggage for a reason. However, as I've stated before, I do have a lot of respect and admiration for all of the players that have worked with Matt since MGB broke up, and I also feel lucky that as a fan base we've all gotten to be exposed to so many amazing musicians who have each brought something unique to the table. For example, as undeniably amazing as MGB were live (and as utterly grateful I am that I got to see them live) I also think it's undeniable that Christian, Pat, Mark, and Rich were a part of some of the most amazing live shows Matt ever did. The extended versions and endings of certain songs were just out of this world. Christian had incredible texture (as seen in his live performances of Advertising on Police Cars), Mark was a beautiful pianist (as heard in Apparitions when he played with them in 2002) and Pat was just an atomic bomb of energy behind the kit. I also think Jimmy, Milos, and Anthony (along with Blake) brought amazing songs like Garden of Knives and Empty's Theme Park into even higher levels than they were in the studio. Or think about the amazing, Daniel Lanois like guitar work Stu did in helping remake Running For Home. Or the Beautiful bass work that Pete does on the new version of Born to Kill. And as I've said before, as much as love Ian and Pat as drummers, there is no denying how kick ass Blake is. The work he does during the bridge of LMU in that clip, for example, is just unbelievable. So I guess my point is that while people are definitely free to feel however they feel, I hope my appreciation and discussion about MGB with Ian doesn't also lead to people forgetting how amazing all the other people Matt has played with (and still does play with) are too, because they really are. And at the end of the day, Matt seems to be really happy with the current people he works with, and that's the most important thing, imo. Anyways, just my two cents. And again, glad people enjoyed the interview and thanks for all the kind words. Cheers, folks
  14. 2 points
    This! Also my opinion of the show... It was a good time. No criticisms, no nothing... just... I had fun. I wasn't expecting much and I had a good time. I hope Matt did too. The end.
  15. 2 points
    Got it fixed. Just had the refresh the page on my TV Lol, I saw your “Into a wall of bourbon ” comment during Strange Days
  16. 2 points
    I just loved the TNG-DS9-Voyager era aesthetics. The way it was filmed, how it looked. I liked that. I'm not big on the lens flares, ADHD hyper acting and crazy constant action. Not my thing. Still good though! I like the new stuff as sci-fi shows, I just like how the older stuff was filmed better. If they said "All of this new Star Trek is an alternate universe" I would be totally on board with anything they did. That way they are not destroying the original stuff we loved before (which includes Enterprise for me).
  17. 2 points
  18. 2 points
    Okay, so, another update: Everything is finally finished and ready to go. As usual the only issue is uploading. This time I can't even get the finished product out of my video editing program because the file is so large. Really, I've come to learn that VideoPad isn't a great editing program for large projects. As such I'll either have to break this up into two parts or just give VideoPad access to my Youtube channel and upload it straight from VideoPad itself (neither option is optimal). Anyways, regardless of what I do hopefully sometime this upcoming week I'll have the full thing online for everyone to check out.
  19. 1 point
    I'm currently awaiting a response from MRG. Couldn't roll my eyes hard enough after reading the word "credits" after spending the year fighting to get back my refunds for TOOL...Rage...Stones... from the giant Ticketmaster. Heeere We Go Again. If they do give out refunds without stating it anywhere and actually helping their customers, doubt I'd ever give them my money again. Matt's team is scrambling on social media trying to help people fortunately.
  20. 1 point
    Matt announced on social media the tour is cancelled and refunds will be given out. He obviously made the right call. 2020 has been a wild year and I am hoping you are all safe and well. Possibly we could have another 1-2 garage shows as they have been incredible.
  21. 1 point
    I am a medical professional in a long term care facility.
  22. 1 point
    @adam_777, u have any info on this subject? I've never used Elgato- or even done VHS to digital transfers- but with regards to the video/audio being out of sync, if u can't find any other solutions there are other programs you can use. I had a similar problem with the one I used to record the interviews I did with Ian and John this past July. It's called "Debut". After the interviews were done I would play them back and the audio/video would be out of sync. As such, when I would upload them into VideoPad to do the editing I would just separate the audio/video tracks and then move one or the other backwards or forwards so they could be placed back in sync. Admittedly with the second interview the audio was still slightly out of place, but that had more to do with the extra clips I spliced in during the interview moving the video and audio out of place again after I had originally fixed it. For your problem, if all else fails, you could download VP, upload your converted material from Elgato into it and then fix the sync issue from there. https://www.nchsoftware.com/videopad/download-now.html Keep in mind though VP is really only good for short projects (like 20-30 minutes) because the export time from the program once you're done editing can be rather frustrating.
  23. 1 point
    It's been one of those years lol.
  24. 1 point
    Extremists are usually a vocal minority. In my experience, most people are fair-minded, if not often unsure and afraid - hesitant - of how to apply such ideas on a larger scale. This is especially true if people remain atomized. Like the blatant concentration of wealth and power by a few, in all strata of human interaction, extremism is just another monopolized bad idea.
  25. 1 point
    I get tested every two weeks for my job. The deep nasopharyngeal swab is the most unpleasant. You get used to it.
  26. 1 point
  27. 1 point
    Adam_777 Read "The coddling of the American mind" by Jonathan Haidt and Greg Lukianoff! Talks about that increase in suicide stats.
  28. 1 point
    You're 100% correct - each player has brought something unique to each of these songs. ie. the Christian/Pat/Rich version of Load Me Up might be my favourite version of all. I'm also a huge fan of the Hello Time Bomb version from that era that slows down for the very last chorus before firing up again, and that version of Symbolistic White Walls with the alternative end lyrics might be some of the best lyrics I've ever heard. Thx again for being able to get Ian's perspective on it!
  29. 1 point
    Grrr...I had to miss this on account of a last-minute commitment. Thanks for all the feedback everyone...I hope he does more of these...hoenstly, if he did one every two weeks, maybe just to focus on a specific album, I would so be down.
  30. 1 point
    My phone screen was freezing every 5 seconds or every 2 minutes for this show. I liked the format and sound quality of Matt's performance on Dan Mangan's sidedoor better. I loved that concert.
  31. 1 point
    I missed the last one of these he did so I was glad I caught this one for a first. Never really watched an artist do a session in this kind of format before and getting to watch most of it (save for the visual/audio glitches from my TV in the middle) on my flat screen in bed was cool. Highlights for me were Radicals, Selling You My Heart (two of my favorites from the album) and the accapella ending to Apparitions. It was also nice to hear Matt talk a little politics too. I know that’s always risky for artists but one of the things I respect about Matt is his willingness to discuss issues even if it might ruffle some feathers. I’ll admit I don’t agree with him as much as I used to (especially when it comes to current day North American social politics) but I completely agreed with his comment about the two party system in the U.S and about internet/YouTube algorithms leading to echo chambers and feedback loops (for both sides) which have helped to an extent lead to the current day, lamentable polarization we find ourselves in (even if that comment was admittedly a little ironic for a guy who seems to get his news almost exclusively from an outlet as far left as The Gaurdian). But yeah, over all this was pretty cool. I liked the set up, Matt looked really happy doing an acoustic show as usual and hopefully he’ll do more of these in the future! Thanks Matt!
  32. 1 point
  33. 1 point
    The audio quality is really good on this stream. I ended up just fullscreening MG and put him on the TV. The chat and all those popups is really distracting lol
  34. 1 point
    Ya those were the first two so didn't miss much then, glad to hear it!
  35. 1 point
    For those interested, I will be posting MG's Dear San Diego from 2017. Unfortunately, I do not have anything written prior to 2017. 1. I will post in the order in which they were released; and 2. All typos and errors remain in their original format. I hope you enjoy these as much as I have.
  36. 1 point
    Echoing many of the comments here, I was beyond excited for this (as a huge TNG fan) and was pleased with the first few episodes. That all being said, the season quickly went off the rails and I was wholly dissapointed by the end. Stewart gave a great performance throughout, but the store left me wanting in so many ways. One thing I kept thinking while watching was, 'who is this for?' It seems like they were trying to bridge the gap between capturing a new audience, and pandering to die-hards...and in the end, I feel like they failed on both fronts. I was so not into this that I have little interest in watching a second season. Such a missed-opportunity in my opinion.
  37. 1 point
    I watched the whole thing. Excellent interview. I really enjoyed hearing Ian’s perspective on that period of time. I like the introduction and the clips that were interspersed between parts of the interview . They provided some good insight and clarity. Ian seems like a really down to earth, polite, and interesting guy. After watching Andy Herrin’s interview and both of your interviews with Ian, I gained a newfound respect for the guy. I will definitely make sure to check out his band Loose Fang if they play in my city in the future. Thanks for all your hard work. I look forward to seeing what you come up with in your future interview(s).
  38. 1 point
    I went to see Tenet yesterday. Great movie, Nolan delivers again. Only one other person in the theatre.
  39. 1 point
    Last show was really fun! It was cool to have Dan Mangan (who is a big MG fan apparently!) hosting and asking questions and bantering with Matt, and they did a lot of cool interactive stuff with the audience, and the audio was really clear.
  40. 1 point
    He hasn't played it since 2001. I have a live version somewhere of the song actually that was taken from Napster back in the day. No clue what hard drive it's on but I would love to hear it again if anyone else snagged it off of Napster back in the day. Inescapable US would be another great song to hear!
  41. 1 point
    Upgrading to solid state storage makes a big difference, especially in a portable computer where you can’t upgrade the processor of graphics card. I’m sure the cost per gigabyte has gotten even better since the original post was made too.
  42. 1 point
    Is it bad I am praying not to hear Alert Status Red and/or Born Losers? Literally would rather listen to Matt sing Old MacDonald had a farm. I just can't explain it. I love every MGB/MG album he's ever put out but those 2 songs just don't do it for me. I requested Protest Song Police Cars It's Been One of Them Years Flashdance II Would be sweet if we could get a Flashdance II movement going!!
  43. 1 point
    Edit- mean to say "It doesn't feel like the original universe".
  44. 1 point
    ALL OF US July 13, 2017 Dear San Diego, "Life is fucking hard." Yes it is. It's even harder when you take your clothes off for a living at a biker bar in the middle of nowhere. But it also has its upsides - you become a hidden paradigm of wisdom for part time movie ushers in said impossibly small town. Lucy. Lucy Luscious. I call here Dianne. Because that's her name. Dianne McCarthy from Ames, Iowa. How she ended up dancing at The Mountain I've no idea. How she ended up all the way up here from Iowa I've no idea. I mean, I get let in on things, buy really only to the extent that Chinaski did in Barfly - that being little shards of glass and loose teeth tracing the trajectory of my undoing. I hide at The Mountain. From Parker, from my boss, from Rusty who's always after me for the rent even though it's not my place and I know full well that it's paid out of an account each month. I hide using bikers and dancers and drunk truckers as camouflage. And somehow, minding my business at the end of the bar, I go undetected. But there are a few people I talk to. The dancers tend to sit at the end of the bar near the door to their dressing room between sets, so we get to talking. Compared to the usual clientele, I'm harmless, so I end up hearing the gossip, the frustration, the money problems, the relationship strife. And every once in a while someone like Dianne will drop a bomb in the middle of a prolonged silence. "Life is fucking hard." My ex-wife said that to me once. Maybe a few days before I got into my car and started driving north. It seems like another life now, like the verses of Tangled Up In Blue - regret and acceptance rolled into one. She'd floated away to find herself. To follow the daily affirmations penned by the Ronald Chevalier's of the world. She'd started a new job, got new friends that were instantly closer than family, and just sort of ascended up into the ether. The day I left I cancelled all my credit cards. Because even though she'd left I was still paying for her work expenses. The understandings of freedom come in many guises. No one picks up Dianne's tab. She makes tips, her wage, and lives in a one bedroom motel room at the Moonlight with her 13-year-old daughter Mercy. Mercy won't have to dance. She's an honour roll student and she'll get out of here. Whenever Dianne talks about her you can see the pride she tries to mask. But there's a sadness there because she knows eventually her daughter will disappear into a better life - far from here, far from living in a run down motel. I can picture her sometimes, years from now, sitting at the table in that room, the sunlight illuminating the old orange curtains turning her into a silhouette. She lights a cigarette, sips a coffee, stares at an old photo. Some of us are here to hide. Some because things out of our control led us here. Either way, one thing remains true... ...life is fucking hard. THE ONES WITHOUT SECRETS July 17, 2017 Dear San Diego, Parker's in bed by ten. A glass of milk, her meds, a sleeping pill. She sleeps until eight or nine the next morning. Unless I'm part of the crowd that scuffles out of The Mountain when it closes, I'm usually laying on the couch reading around two or three. The one great thing about living with Parker is her accidental library. In some places there's books stacked against walls almost to the ceiling, in others they're arranged in various ways to act as makeshift furniture - like the square pile next to one of the chairs in the living room. Euclid is under one of the legs of the kitchen table. We inherit almost all the books that Rusty gets downstairs because his mainstay is car parts, old lawnmowers, things like that. People drop books off at his shop and he just throws them on our doorstep. So we get a lot of crap - romance stuff, that sort of thing. Not to disappoint Heine, but we usually burn those in the big syrup kettle we use as a fire pit up on the roof. So I'm rereading Miller's Tropic Of Cancer. Not the best, not the worst, but necessary after my third round with The Gulag Archipelago. I have a strange connection to Solzhenitsyn. Years ago my mother was taking a ferry from Nanaimo to Vancouver and while entering the cafeteria she noticed him sitting alone at a table. She was, as you'd imagine, flooded with emotion given what he'd been through in his life. They looked at one another but didn't say anything. My mom just walked up to him and put her hand on his arm. That was it. All that need be done. If I picked up anything in college it was that rereading things is a must. There's usually too much there to get the first time. I never finished school, and was never all that fond of Boston being a west coaster, but at least one life altering thing happened when I was there. I met Parker. Parker was at MIT and I was at Boston College. She was a introverted genius and I was an awkward Canadian that talked too much when nervous and felt out of place everywhere I went. The night I met her I had reluctantly gone with a few people to a restaurant in Cambridge. Parker was there eating alone. Her hair was a mess, she was wearing jeans that were too big for her, a big belt, an MIT sweatshirt, and flip flops. Had she not been wearing that sweatshirt I'd never have seen her again. I remember what she was wearing that night so well because even though I was there with people I wasn't paying attention to the conversation. I was uncomfortable, my leg bouncing uncontrollably under the table, everything too close and suffocating. After turning my attention from the girl sitting alone eating, I spent the rest of the meal looking out the window trying to figure out why I ever thought it was a good idea to go to school on the east coast of the United States. And that's when it happened. I felt a hand on my knee. Turning from my self pitying examination out the window, I found the girl in the MIT sweatshirt standing beside me, her hand pressing down on my knee, forcing my leg to stop bouncing. She looked at me and said, "Don't do that." I would spend almost three weeks tracking Parker down purely on the hunch that she went to MIT because of that sweatshirt. After she'd said what she did that night she'd just left without saying anything else. When I finally found her she was walking across University Park Commons. I'd basically given up and was standing at a bus stop on Sidney Street. Seeing her I sort of froze and a million things went through my head. Was I a stalker? Why was finding her so important? There are moments in life when decisions are made that don't seem to be of significant gravity at the time, as in you don't think they'll have repercussions that'll echo into the decades ahead. I don't know why I needed to meet her, just at the time, given where my head was at, it seemed overwhelmingly important. When I met Parker that day there was no awkwardness, no judgements. It was if she had been waiting for me to come. We sat on the grass and she looked at me with a smile on her face that, even now, I can see as if it were a moment ago. She doesn't smile like that anymore, but the memory of it gets me through the rough days. She said to me that day, "You and I will be the ones without secrets." Twenty five years later, as basically her caregiver, those words hold true. I am often asked by people why I've now spent years living with her, taking care of her, putting up with her. Why I haven't left, or why I don't just put her somewhere and get on with my life. My answer is always the same. My knee. FLASHES AND BLURS July 18, 2017 Dear San Diego, Like a snake stretched out in the sun, I drove the I5 tip to tail. Slept in my car. Smoked incessantly. Nothing but coffee. Listened to New Grass on repeat as if it were the sole movement of the canonical hours. Crossed at Lynden in the middle of the night. All I had was Parker's number but no idea where she was. Called her. The entire conversation a whole other story, but got her address. Kept driving. Car broke down. Fan belt. Walked into a nearby town and got a new one. Slept against a tree that night. Potato chips, cheap bourbon, an old blanket. Hobo no train. Found her place late. Parked in The Mountain's parking lot. Went over at about seven in the morning and rang her buzzer. Hadn't seen her in years, but she hugged me anyway. I had my car towed the next day. Didn't try to sell it or nothing, just told the guy he could do whatever he wanted with it. In short black and white snippets, that's how it happened. I try and remember it sometimes, the details, how I felt, but it's a blur. When your whole life explodes beneath you, when the person who's set the charges doesn't have a clear reason why, when indifference is king, when there are no answers, you get angry. But eventually you come to the realization there's nothing in it. You can't figure it out and never will. The reasons why people do what they do more often than not don't make sense. The funny thing is, as if an interrogator's light shoved in your face, you're confronted with everything you were forced to be that was never you. That for years, behind the false smiles of "all's well", you'd been ground down. And so one day you find yourself in the mountains in the middle of nowhere with one of your oldest friends that's a ghost of the person they used to be. You stand looking out over a field of tall grass, your body deflates, your face loosens, and you're overcome by an immense wave of genuine exhaustion. No matter the confused reasons for it all, you get yourself back. And at least that's something. HERE AT THE END July 19, 2017 Dear San Diego, If there's one thing about Parker's schizophrenia that I envy, it's the ability it gives her to fearlessly tell people exactly what she thinks. If she knows you, she doesn't pull punches. If you're peddling shit she'll call you on it. No filter. People don't like getting things straight. I'm used to it, I'm Parker's primary target. But most don't. It started with her not eating about a month ago. She was already incredibly thin, so it was easy to see the decline. On top of that she'd sometimes sleep for 15 hours a day, complaining about migraines, trouble breathing, pain in her stomach. I'm not a doctor by any means, but I'm also not an idiot. Calling an ambulance wasn't an option, so I fed her double her usual dose of Zopiclone one night, borrowed Maggie's truck, and drove the hundred odd miles to the hospital. When she awoke she was already on an IV, had had her blood work done, and found me sitting in a chair beside her bed. "I know, you know." I just looked at her, an uncontrollable panic on my face. "I'm not going to get angry," she said, "but you shouldn't have done this." Her schizophrenia was one thing. That I'd come to know intimately. But in that confused maze it's easy to forget that there's a person in there capable of making extremely lucid decisions. When you're not having plates or books thrown at you, you're trying to convince her to do something she doesn't want to do, like change a shirt she's been wearing for a week. But that doesn't alter the fact that, if she had wanted to, even in her state, she probably could have won the Fields Medal. Given the limitations of the hospital, we waited five days. Five days of phoning Maggie and apologizing about her truck. Five days of not sleeping. Five nights pacing outside, smoking in a hot summer somber. And so, on the sixth day, the girl that I'd met in Cambridge more than 25 years ago, was diagnosed with lymphoma. She was 47 years old and hadn't smoked a day in her life. There are people in this world that you love, or you think you love. Most of it, if we're honest with ourselves, is passive. The people that we truly love are the ones we cannot abandon in our hearts, no matter how far away, no matter how much time passes. They are in us completely, always perfect, the most infinitesimal details easily recalled. They are why we are here. I wasn't in the room when they told her. Not because I couldn't stand to be, but because I'd gone to get coffees. When I got back she was sitting up in bed, the curtains dawn, sunlight flooding into the room. The look on her face was one I'd never seen before, one of a woman tortured her whole life finally at peace. I stopped. She looked at me and smiled, and then stretched out one of her hands so that I might take it. Putting the coffees down, I took it gently, sat down on the edge of the bed, and, for the first time, kissed her. EVERYTHING IN D MINOR July 22, 2017 Dear San Diego, The weight. Broken elevators. Long stairs. Holding a sleeping hand. Nodding off, coming to, nurses in and out. Sometimes lucid, sometimes not. Theorems, structures, all muddled. Looking out the window, looking at me, looking blankly into space. Spaces of function, transformations of function, muttering the language of it under her breath. The day after she was diagnosed she aged twenty years. Maybe it was that someone finally said it, that the words were spoken. She got lucid real quick for a bit. No chemo, no nothing. For her it meant a way out of years of being imprisoned by the virus in her mind. It would be an acceptable death. She would not fight the one thing only to let the other continue to win. She would go to war, the cancer in her an ally, to destroy the greater enemy. We left the hospital a week after she was diagnosed. Drove home, carried her up the stairs. It was hot out, so I took the mattress off her bed and set it up on the roof. She spent days going through things kept in the boxes under her bed or in her closet. Old trinket jewelry, photos, an old doll, Where The Wild Things Are. I thought it would be harder, maybe she just hid it well, but besides the pain displayed when I'd help her to the bathroom, she showed nothing. She spoke to me in a clear voice most of the time, her usual outbursts few. Late one night she started to laugh. And she said to me... "You know, when you're a kid, sometimes you think about it. And it scares you, ya? Like what it'd be like to drown or what it'd be like to get shot. I dunno, I did. Maybe too young. But it's nothing like what you think. Like nothing ever is. But you know, I knew somehow you'd be here. Even before I knew you. Even when I was a little girl. I saw it like when you write something in a diary about believing in unicorns because unicorns have to exist. That might sound dumb. Maybe it is." Parker died in her sleep that night. When I woke up I looked at her and I knew. I sat there for a while and thought about it all. The sky seemed bigger, the sun a greater disc. Every bit of evidence she'd left of herself on that roof a treasure. The oldest and greatest friend of my life had left. In the end, in total contrast to the turmoil of her life, she was in control. And through the tears I could not stop that morning, I kept trying to remind myself of that. I didn't know who to call or what to do. I don't think I even thought about until at least noon. Eventually I called Maggie and told her. All she said was, "Okay hun," in a broken voice. Maggie took care of everything. An ambulance was sent and paramedics took Parker's body back to the hospital. The next day I phoned Parker's parents and told them. While they'd continued to pay for her expenses, she had long been an embarrassment to them. When they suggested her body be flown home to be buried I politely disagreed. They didn't put up an argument. In the end, Parker was cremated. It took me two weeks to decide what to do with her ashes. I went through a multitude of possibilities - the field, her garden, trying to somehow get her to the ocean. In the end I decided on something I thought befitting her, this place, our life together. In the middle of the night, in the quiet that settles over valley, I walked out into the middle of the intersection out front of the apartment. In two directions the highway. In the other the road into town. And there I carefully spread her ashes. To be picked up on the wheels of trucks orcars and carried as to places unknown from just outside the door to the place in which she had hid, in which she had died. I stood on the side of the road gripping the urn praying I'd made the right decision. Eventually a rig came by, slipping the night heading east. He blew through the intersection and, as I watched his tail lights disappear into the distance, I put a hand up and said goodbye. __________________________________________________________ Maryam Mirzakhani, the first woman in history to win the Fields Medal, died five days before Parker from breast cancer. She was 40, a professor at Stanford, and specialized in moduli spaces, Teichmüller theory, hyperbolic geometry, Ergodic theory, and symplectic geometry. SETTLED July 23, 2017 Dear San Diego, Fuck. Like a thunder clap locked in a prison of words for being too honest. Used in frequency but never understood. No one writes letters to try and get fuck out of jail. They just hold useless vigils and then say fuck it. I was driving Maggie's truck. I was in a suburban neighbourhood. The houses were on fire. Someone banged on the windshield and yelled at me to get out and help. I got out, walked into a house, but once inside found a burning ice rink. I made my way up the bleachers, up to the announcers booth, and saw an old typewriter. I sat down, the room on fire, and just wrote fuck over and over again. I'm a man that was settled for. Long ago, in another place, the tanned confusions of a woman took me. I did pretty much everything right, made mistakes ya, but paid the bills, bought the house, indulged the flights of fancy. I got out of the truck and walked into one of the houses. No fire, a recognizable familiarity, the street outside its typical Southern Californian self. I was half asleep on the downstairs window bench. It was my birthday. She came in putting on a heel and exclaimed she wasn't wearing a bra because a big deal was going down. Then she left. Had I not mentioned it later that afternoon she would have forgotten my birthday entirely. We'd been married six years. I sat in the truck and said fuck under my breath. An entire neighbourhood on fire, people trying to use melting garden hoses, fire trucks and ambulances pulling up, kids screaming. "Get out and help!" A hand thumped the windshield, my gaze locked on the flames licking the free air above the roofs, I sat there. "Are you gonna go or can I have my truck back?" Maggie said. "What are we going to do about Parker? We can't leave her in the back forever!" She got home late. I was already asleep. I'd tried to wait up but couldn't. I thought she might wake me up. I thought a lot of things. All the palm trees up and down the street looked like burning flowers. Perfectly beautiful, born to burn, like some force beyond it all was conducting them from above. I got out and lit a cigarette off a stranger on fire, leaned against the side of the truck, took a drag. "Fuck it," I said. "Fuck all of it." RACHMANINOV July 24, 2017 Dear San Diego, There's just silence. My coffee cup on the counter, my glasses on the table. No dishes in the sink, no mess in the bathroom, no beds to make. I still sleep on the couch. Parker's Will read like a Monty Python suicide note. Through investing money given her by her parents she'd amassed a fortune. They thought, in their naive, upper crust, New England way that they were paying handsomely for the family embarrassment to remain comfortably on the other side of the continent. Meanwhile, the embarrassment was living like a pauper and investing in things no one saw coming. Google, Apple, Facebook, this, that, the next thing, and most importantly - property. That last one's important because one of the properties she owned was the building we lived in. Parker had hired a property management company to oversee the place, made Rusty the custodian so he could keep his shop, and they instructed him to deal firmly with the tenant because she was, according to their paperwork, "a financial risk." Up until the moment I read it I thought Rusty owned the building. The contents of the paragraph following it made Rusty my tenant while still employing him to demand rent from me, which would be paid from a separate account to continue the rouse. The day her Will showed up was the first time I'd laughed out loud in years. I laughed so hard at certain points I actually had tears running down my face. It started right off the top - that I be given a copy for "my personal records", her way of ensuring I'd read it. The shit she'd pulled was genius, bizarre, nonsensical, compassionate. She owned an apartment building in Boston in which she let select doctoral students live rent free. She owned two motels and a gas station in three different small towns in Idaho. She owned an old, rusted French oceanic buoy ship built in 1949 that had been haphazardly converted into a pleasure craft and then berthed at one of the most exclusive marinas in Massachusetts just to piss yacht owners off. She owned 46 vintage Thompson machine guns kept in a storage space in Texas. She owned an original Braque - because "Picasso received too much of the credit for cubism." She donated yearly to thirty-seven different charities, in one instance giving $750,000 dollars anonymously to a mental health program. She had it all detailed. Left precise instructions, the most hilarious being that if I at all altered the apartment I would immediately forfeit my ownership of the building and the monies paid each month, basically to myself, in rent. It was Beth Sears all over again. I went to high school with Beth. She was the sort of girl that was oddly beautiful, but knew how to use what she had to get what she wanted. Her greatest triumph was Mr. Clark, our twelfth grade chemistry teacher. It started slow. At first she'd meekly raise her hand and ask him to look at something. As the year went on, whenever he went over to help her, he'd always be standing behind her. I sat in the row behind her. And for the longest time I didn't see it. But what she'd been doing was spinning on her stool casually so that she brushed her ass against his cock. Eventually she went from just spinning to subtle grinding. At the end of the year, at a party at Darcy Carr's house, she got lit up and started telling anyone who'd listen how she'd got a B in chemistry without doing anything but making Phil Clark hard. I don't rightly know why the eccentricities in Parker's Will made me think of Beth. Maybe it was the calculation and subterfuge. Then again, Beth was sort of just a cover of Don't Stand So Close To Me while Parker was pure Rachmaninov. The day UPS delivered the package I inherited a building, was driven to hysterics, and polished off a bottle of bourbon. I fell asleep, as I always do, on the couch - thinking about Phil Clark and strong words in the staff room. SCREWDRIVER July 31, 2017 Dear San Diego, Charles put a gun in his mouth. When they found him he was sitting in the chair in his home office. Or, more accurately, a table in a nook in the garage. A metal filing cabinet on the floor. An old PC. He'd put a towel around the gun. Things went on as usual for a few days until a neighbour noticed the smell. He lived alone. He was married when I knew him. Had a daughter too. But even after they left he never moved his office into the house. Could have set up in the living room, in the bathtub. But he stayed in the garage. Conditioned, familiar. She'd put him out there and that's where he stayed. From that little nook he sold medical equipment to hospitals and clinics all over the country. Made good money, was responsible to a fault. We used to talk over the fence when we were neighbours. I'd be out back spraying the deck, he'd be cutting the lawn. We'd talk about the weather, the Padres, sometimes he'd talk about camping. Camping had been something he'd done with his daughter when she was younger. He spoke about it as if they still did it, as if every upcoming weekend was going to be another adventure. Truth was, she didn't even notice him anymore. A teenager - him, camping, they were embarrassments. His wife was certainly not the camping type. She tanned in the back yard a lot, wore tacky jewelry, drank white wine. Her name was Loraine but I called her Reno. She reminded me of it. The falsity, the too-old-to-act-like-you're-young, the never-would-be-Vegas smell of desperation. She sounded like she looked. Like a high pitched slot machine. How she'd ended up with Charles I never knew. He was the type of guy that was routine to a fault. One of those up and showered, one of four different coloured golf shirts, kakis and boat shoes, eggs on toast guys. Quiet as a mouse like he was avoiding an executioner. She was the opposite. Loud, gaudy, Mrs Robinson without the pedigree, without the elegance. I had my own troubles at home so I don't really remember the Reno leaving. One day while I was walking the dog and Charles had the garage door up and we got to talking and he told me. Both of them just left, Reno and the kid. Moved to Florida. Two days before I left I went next door and asked him to forward my mail if he could. I didn't know the address but told him I'd call him and tell him. That was the last time I spoke to him, maybe two weeks after I got to Parker's. So a package arrived a few days ago and, thinking it had to do with Parker, just put it on the kitchen table. The night before I'd laid out Parker's Will perfectly on the floor, every page, and then started photographing it. I was drunk and therefore somehow an artist. When I eventually got around to opening the package it contained two things - a note and a Phillips head screwdriver. The last thing I needed that afternoon was that note. After everything that'd happened over the preceding month it was like realizing you'd been poisoned too late to do anything about it. "Sorry I didn't get this back to you before you left. Thanks for lending it to me. Sincerely, Charles." Confused I phoned an old neighbour, Nancy Bianchi, because I knew she'd still be living across the street. No offence to you Italians out there, but when you put that much effort into the statue and stone work in front of your place- you ain't going nowhere. She didn't remember me at first but eventually did. Then she filled me in about Charles. The Padres beat the Mets that night 6-3. THIS MORTAL COIL August 3, 2017 Dear San Diego, I was twenty four. Ruckle Part, Salt Spring Island. Parked my car, walked down across the field to the rock outcroppings and found one with a ledge I could lay down on. I spent two days looking out at the ocean trying to decide if I should just walk in. Under the cold stars, the campfires dimmed out, the new fall wind pushing over the stones, rattling the birches. Didn't eat, didn't sleep, half a bottle of water. It was about a girl. The sort of girl that at that age you see without faults, just perfections. The sort whose being is in every tree, in the stones of every mountain, in every cloud, in every swirl of a stream. They are everywhere to you because they are gone. Some claim it the foolishness of youth. I look back on it now and think the same. But that's only because in age I'm jaded. I could have walked into the ocean on either of those nights and disappeared - perfectly in the arms of the agony of love. Instead I just sat there, immobilized, vanquished from myself. Eventually I got up, walked backed to my car, and drove back to the ferry. I sat in the line up listening to This Mortal Coil wondering where the future went. If there was a future. What it would be if there was. I would not accomplish anything of note in my life. It would turn out to be a series of disasters. But looking back on those two days by the shore, at least I knew a love powerful enough, even if only felt by me, that drove me to think of oblivion in place of it gone forever. And yes, it sounds foolish, but maybe, in the breadth of a life, it is better to grip the passions of Romeo than those of Caesar. HUSH IN LIGHT August 5, 2017 Dear San Diego, One day it'll hit you. Like a wave. Like a cannonball. They don't teach it in school. Life; you figure that out yourself. Add and subtract, write and erase, spell names burned into you; the photographs of faces, of touch. Sunsets and rainstorms, laughter and screaming, birth and death. The war zones of the heart. Love, loss, joy, regret, the truth. None of them, all of them, real. We are bound here together strangers, never the same field of vision, the guesses and agreements of shared perception lined with unknowns. I walk out sometimes at dusk into the field and just stand there and let the wind push and pull at me. Like the breath of the universe, of the past and train tunnel future. I close my eyes and spread my fingers and reach out looking for something, someone, that is not there. I hear the voices of children distant, feel the pure moments of youth; your first kiss, how your heart leapt, how you floated. I've been laying on the roof at night lately. I've been studying the stars study me. She is up there somewhere. And I miss her. ALL AT SEA August 9, 2017 Dear San Diego, The sky is vast, ever changing. There is hope in it, but it remains the same blanket under which all life transpires. War, famine, the list. It's a hopeful metaphor in timid places, places where under its wonder it's easy to sip a cold beer and relax. Over such sprawling backyards the sky is trite. Here the sky is everywhere. Then again, it's everywhere everywhere else. Up there, somewhere, are wonderful unicorns, shooting stars, and God. Up there is forgiveness, despair, and everything in between. Down here is the sky's anchor. And we are all at sea. PROOF OF LIFE August 12, 2017 Dear San Diego, I stand by the intersection at night. Watch the rigs and cars whip by. Think of her. You don't really know a person until they're gone. It's the catch of mortality. You can stand next to a rained out highway looking for glimpses of them, but you can never have them back. Puddles in the pavement, low clouds shuffling down the mountains as if converging on some decisive battle. Within you the cacophony of it. Only silence beyond. In 2006 I drove over sixteen hundred miles to this place. I was looking for somewhere to hide but instead found the shell of someone. And in the years that followed I became her wall. The woman that had left me, the reason I'd driven those sixteen hundred miles, was, ironically, far more troubled than Parker in many ways. Go out, drink, do coke, flirt, maybe more, home at five. It's socially acceptable to want to be nineteen every weekend, or even four days in a row, and an easy thing to justify if everyone around you thinks it's fantastic. The fact that you're an embarrassment doesn't factor into it because you're "living your life". Schizophrenics, on the other hand, wander through unknown wildernesses of uncontrollable paranoia, insomnia, emotionlessness, rage, the loss of reality and the presence of foreign influences only recognizable to them - and on and on. Having lived through it with someone, it's certainly not as "attractive" as after work dinners, drinking and doing bumps in the bathroom with your boss's wife. In Parker's case, given her medication, she would have periods of clarity in which depression or mania were prevalent but everything else faded somewhat. It was when she'd transition between the two that she'd take a pen to the walls convinced she could solve the Birch and Swinnerton-Dyer conjecture in twenty four hours. For all I know she did and I unknowingly Windexed it away. After my ex got her breasts done my brother used to say that she had a great personality but only 20% of it could talk. I used to get pretty pissed when he'd say it. Truth is, it's a wasted metaphor when you're confronted with someone who rightly could have been one of the greatest mathematicians of their time had they not been sideswiped by a hurricane of psychosis. So, for better or worse, I spend part of every night standing by the intersection looking for something. Proof of life. Proof of mine. PUBLIC RELATIONS INC September 12, 2017 Dear San Diego, It was like the night had hands. The first night I slept on Parker's couch it felt like I was being strangled. I'd wake up, head a mess. Spent most of a month sitting there. Drink coffee till the day quit, switch to Bourbon. Three packs of cigarettes a day. Parker just kept her distance. Someone vacuuming around your feet that doesn't ask you to move. A slight figure in baggy pants, a visage of the Inquisition. Electroconvulsive therapy, hung up on a wrung, shaved head cut and bleeding. I was a fool by comparison. Sent ten grand or more a month back home so the ex could skip out on work and spend her days in Del Mar with the work associate she'd been having an affair with. No big surprise. Wasn't even angry. He left his wife too. The secrets of timing. You put shit in perspective about people. When your ex comes home and tells you about a friend that's fucking a client in the washroom of a house he's showing her - after a while you don't blink. It's not shocking. Just another hilarious acquisition of a day filled with frat house drollery. You sit there. Say nothing. Fake a smile. If there's one thing she did masterfully, like Tết in '68, tracers zipping from the near grounds around Khe Sanh, was her post-divorce public relations campaign. Elegant in its execution, it was something that the CIA's Political Actions Group might have conjured. She'd left to assert her independence, find herself, embrace the great unknowns the universe had waiting for her. Singular, empowered, alone in strength. United Fruit, Guatemala, the Dulles brothers, bank of Boston. The press, cameras all at a distance to undercover the cover of freedom. I suppose it's an easy thing to do when someone paralyzed on a couch is sending you money every month, still paying the mortgage, still paying the bills. Run around with the new guy, carefully vetted, slow and easily manipulated. Put together like a dummy corporation in the Caymans. Things right themselves I reckon. In the end Parker left me an entire building in her Will. When I think back on it now, and those months vacuuming around me feet, I guess I know why. Read a book the other day about the heyday of the US space program. Truth? It's actually what got me thinking about all this. Wernher von Braun. Born March 23rd, 1912, in Wyrzysk. Then Prussia, now Poland. Attended the Technical University of Berlin. A member of the Nazi Party. Was a major in the SS. Did a lot of his work at Peenemünde, conveniently located near a labour camp, so slave labour was easy to come by. Was responsible for, among other things, the creation of the V1 and V2 rockets. Thousands were killed in the UK by the V2's alone. War ends. Enter Operation Paperclip run by the Joint Intelligence Objectives Agency. Von Braun, his V2 team, and 1,600 former Nazi scientists are covertly brought to the US. Among them individuals identified as war criminals and tried at Nuremberg but were "acquired" by the JIOA. Included scientists responsible for experiments to test the effectiveness of interrogation techniques, physical limitations in extreme conditions, you name it. They'd eventually become part of Project Bluebird, the first hop in the skip and jump to MKULTRA. For von Braun and his guys, the US put them to work. But first they needed a delousing. So the JIOA created false employment histories and fully expunged all records of their involvement with the Nazis. They went to it. Military rocket projects at Fort Bliss and then White Sands. When Walther Reide opened his trap in an interview, Einstein was so pissed they were on US soil he nearly shit himself. He did the Redstones, used in the first five US nuclear ballistic missile tests. The Mercury-Redstones and the Saturns. He was perhaps the leading reason the Americans went to the moon, held some of the highest positions at NASA, and was even responsible for the invention of NASA's space camp. Just goes to show I guess. The right PR, support, and assets that contribute to your worth - having been in the SS doesn't really matter. MR POTATOES September 12, 2017 Dear San Diego, Books. You would've thought the old man used them instead of plywood to frame the old house. Built in '67. Sank pitch covered pilings to support the foundation. Sponged side yard, a partial bog, made diving for footballs less risky. Shelves around everything. Built around the television, doorways, windows, the furniture. It was more a library than a house. Probably why I ended up studying literature. Books meet life more often than you think. People, the past, the future. Collisions of coincidence captured in aged passages and replayed. Different characters, same ending. Remembrances. The way the sun shone through the windows in the morning and bounced off all the spines. A kaleidoscope of colours on the ceiling. The old man insisting I read all of Churchill's Second World War series. Snuck in Nabokov's Speak, Memory along the way. In the middle of the night take it down and remove the jacket and then put the jacket back so it looked like it was still there. Unsanctioned book removal - high crime. Cornelius Ryan. That orange cover. The silhouetted transports and parachutes. Images burned into adolescent memory. Verrader. It means traitor in Dutch. Mr. Potatoes did a little jail time after the war. Germans were supposedly gonna line up the Potato clan and shoot them, so they kept the potatoes coming. What're you gonna do? Join the resistance? Blow up railroad tracks? Help hide and move British special operation lads? Wait it out, Mr. Potatoes. Eventually farm boys from places with names like Wilkie, Saskatchewan, would roll heavy on the Scheldt estuary. Free up Antwerp, finally capture a deep water port. Great uncle Lou, Great uncle Jim. Both drank themselves to death. First Canadian Corps, the insignias on their uniforms and vehicles removed to disguise them, the army's shock force, the Gothic Line did them in. Never talked about it. Pops was airforce, never talked about it. No one talked about it. Just a plaque in the basement leaning against a wall from the Queen. Twelve siblings, five served, including my great aunt. There was a video years ago. American teenagers on vacation traipsing around Juno Beach, drinking, pissing on a plaque, laughing. I think about dad's library and the lost lives counted up in all those pages. Endless, like logs stacked in a thousand mill yards. I think back and realize that if they taught me anything - you can't be for and against the same thing. Like Alexander Stephens, the Vice President of the Confederacy who, after serving a token hotel visit at Fort Warren in Boston, was elected to the US Senate a year after the Civil War's end. He wasn't allowed to serve given restrictions on former Confederates, but the fact remains that he would have returned to the very establishment he abandoned to defend the rights of slave holders. Stephens would ultimately return to Congress in 1873. Mr. Potatoes, the lot. YOU ARE A LIVE FIRE EXERCISE September 19, 2017 Dear San Diego, Daybreak. Stuck in clouds down the valley, thin rain, stingers of autumn. I am a live fire exercise; thumb the pages of A Farewell To Arms, coffee, spots of the news. I think about her less and less. Still surrounded by all her things, a museum of was, but no curator. I spend more time than I should anguishing over whether I did the right thing with her ashes. I think of laughter a lot. Of how people laugh. I study them when I'm over at The Mountain. Tiny photographs of falsity, a projector casting light onto a blank screen of want for the sake of it. Parker laughed with her entire self. Rare, but authentic when it happened. Never to placate socially, never at anything beneath her. If there's one thing she taught me in life it's that people are terrified of themselves. Just ordinary people, well away from anyone with an actual reason to be. And that it's all fake - the self, all this chasing of the wind and the moon. There's just this and no right way to go about it. Figure that out and you're a person. Don't and you're just taking up space. VOLCANOES September 20, 2017 Dear San Diego, Joe Vs The Volcano. A forgotten masterpiece. Ridiculously applicable, the humming of fluorescence, the brain clouds that now become us all. Putting at sea. Meg Ryan, both sisters - Flibbertigibbet. The impossibly flatline Robert Stack, the genius of Dan Hedaya, the wonderful briefness of Amanda Plummer's Dagmar. I know you can get the job, but can you do the job? Luggage being the central preoccupation of your life. If only for a ten second truth in one-hundred-and-two minutes of running time... "Patricia: I love you!" "Joe: I love you, too! I've never been in love with anybody before, either! It's great! I'm glad! But the timing stinks." LINEBACKER October 2, 2017 Dear San Diego, I'd say something if I had something to say. I don't though. Out of trying. I have flashbacks of things. Summer nights listening to Coltrane on the roof with Parker. Having to wipe her ass because the drugs fucked up her movement so bad she couldn't. I think about that. People who shoot shit, snort shit, smoke shit, that make the conscious choice to do it. Come spend a day on pills that scramble to linebacker your neurotransmitters and see if your recreation's still humorously fun. She pissed herself once in a bookstore. I went to try and do something. She just looked at me with those eyes, the ones that too commonly said "what does it matter?" Half way through a bottle of vodka today the vodka realized something. I don't really own the building. The building owns me. So I'd say something. But I'm all outta shit to say. SMILE October 7, 2017 Dear San Diego, The sun was out this morning. Warm against the windows, I stood for a while looking out over the field, a low mist still clinging to foot of the mountains. Last night was one of those nights. Didn’t sleep, but dreamt awake of things come and gone. At some point in all of this you gotta accept who you are. You gotta stop trying to hide it. Stop worrying about the backlash. Anything you say to the contrary’s just a lie. If you’re still looking for who you are, you’re dangerous. Like old nitro glycerine. Nothing to trust, nothing to count on, one wrong move and it goes up. Tell yourself that’s not the case, but the body count always says otherwise. Losing yourself’s worse. Cause you let it happen. You stood there and didn’t say anything when you should of. It’s like peeling off your skin. Not because someone doesn’t like it, but because they hate theirs. My whole life I had a girl. No matter where I went, she was always with me. I wasted years unable to come to the realization she was the one. Schizophrenic, possibly one of the greatest minds of her time, but it was that smile. Like Ally Sheedy in The Breakfast Club - it was always that smile. Despite the prison of her mind and the chaos that dominated it, that smile was never unauthentic. It was either entirely real - or not there. I stood at the window, the sun warm against my face, and realized that she’d always known. And all of a sudden it hit me. If you gotta go looking, you’re just wandering away from what you’re too afraid to face. But if you’ve got the guts to face it, you don’t gotta go nowhere. LAND MINE October 24, 2017 Dear San Diego, Standing on a land mine. Can’t move or you die. In a field of fire, out in the open, Bushmaster II’s throwing 200 rounds a minute. Where do you run if you can’t. What do you do if you can’t do anything. It’s an interpretation of something Parker wrote in one of her journals. She referred to it repeatedly as “the immovable self” - the confines, the restrictions, the consequences. In a lot of passages she talked about her medication. The antipsychotics over the years - Thorazine, Haldol, Trilafon, Prolixin, Risperdal - the list goes on. She had a cook book, things that went well together - medications combined with things like NyQuil, anti-nauseates, ground up sleeping pills. All alchemy. Then there was the tardive dyskinesia, the writhing, the uncontrollable body movements, the Clorazil for that. But the worst was the benzodiazepines. Not what they did to her, just the fact that no one takes into account how someone in the middle of a tempest uses them to stay above water. Can’t get a prescription if you’re short, so you face down the risks. No one comes off long term benzodiazepine use cold turkey. If you do, you suffer seizures, hallucinations, psychosis. All fantastic when your foot’s on a land mine. Ten years in the trenches, watching it all, ducking plates and glasses and books hurled at me. Medicating my patience with booze. No offensive, but if anxiety’s all you got going on you’re in the fucking Disneyland of problems. Rough is relative. But you’re not there - foot on a mine on a beach you ain’t ever getting off of. And you’ll never understand it. That pillbox up there, the MG42 in its gonna roll on ya, and there’s fuck all you can do. She wasn’t a brilliant mathematician, she was one of a few select minds of her generation. And to this day I don’t know if what she was made her that way or if it was the other way around. Reading her words I do know that what she endured was a crime. And even though it’s a pompous observation of a drunk laying on the floor flipping through piecemeal language, she was worth more than a thousand of you - me included. In the margin of one of them she wrote bits of lyrics from a Nik Kershaw song. I found the LP - Human Racing - and put it on... “I got it bad You don't know how bad I got it You got it easy You don't know when you've got it good It's getting harder Just keeping life and soul together I'm sick of fighting Even though I know I should I don't want to be here no more I don't want to be here no more I don't want to be here no more” I’d Curtis LeMay a city to have her back, sleeping on the roof that last night before she died. I wouldn’t have fallen asleep. I would have run my fingers through her hair and smiled. Because more than anyone I’ve ever known, or ever will, she deserved that. Finally just a normal girl. USUALLY YOU HAVE November 5, 2017 Dear San Diego, There’s something tranquil about taking out the garbage. At night, early in the morning, weather doesn’t matter. You kind of stand there for a minute and go over if you’ve remembered to throw everything away. Usually you have. EDIT: I went back and separated the spacing between the entries to improve readability. I hope you enjoy these.
  45. 1 point
    I watched the 10th Anniversary of Inception at my local theatre and it was worth every penny. As with @daniel_v, I'm on the Nolan wagon and expect to watch most everything he directs. I mean, Interstellar is a masterpiece!
  46. 1 point
    I don’t expect much from new music videos these day. I’m not even sure I care if new ones are even made at this point, but I think there is something worthwhile about preserving and updating the ones from the time when they did matter and actually enhanced the vision of the song and album they were promoting. As far as the cost of the time/effort of remastering them, it’s too bad there wasn’t a way to crowdfund it. I would put in money to get a Blu-ray with the whole Matthew Good video catalogue.
  47. 1 point
    Spoilers Pretty much agree with everything you said. I've watched all of the episodes up until the season finale just out of curiosity (and there are some good aspects) but I've felt like I've been forcing myself to do so just out of respect for Patrick and the original cast. Like most people have said, it just does feel like the original universe. I get that things always change in real life, but I'm more so referring to texture, tonality, and feel of the show. For example, the whole torture/gore intro- where they reintroduced Seven of Nine back into the series (and where they show Icheb having his eye ball pulled out)- was just far too over the top. Like Folksinger said, it felt like a bunch of network execs thought it would be "cool" to make things more violent and while that works for certain shows, it just didn't work for this series.
  48. 1 point
  49. 1 point
    Hey, I don't know if I have what you'd be looking for, but I do have a lot of content back from in the day. If you want to P.M me feel free and I'll see if I can't send you some of the stuff you lost.
  50. 1 point
    I quite enjoyed it. Future dystopia with some heavy environmental/class struggle tropes. Damon and Copley are fantastic. I think this film suffered from sophomore-itis, in that people expected Blomkamp to follow up District 9 with something equally as original ....and he went in a different direction. Jodie Foster's shitty English accent was ... unfortunate, though.
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